Love Poems by William Shakespeare Love Poems by Emily Dickinson How do I love thee by Elizabeth Barrett Browning
Showing posts with label robert w. service. Show all posts
Showing posts with label robert w. service. Show all posts

Tourist

'Twas in a village in Lorraine

Whose name I quite forget,

I found I needfully was fain

To buy a serviette.

I sought a shop wherein they sell

Such articles as these,

And told a smiling mademoiselle;

'I want a towel, please.'



'Of kinds,' said she, 'I've only two,'

And took the bundles down;

And one was coloured azure blue,

And one was khaki brown.

With doubt I scratched my hoary head;

The quality was right;

The size too, yet I gravely said:

'Too bad you haven't white.'



That pretty maid had sunny hair,

Her gaze was free from guile,

And while I hesitated there

She watched me with a smile.

Then as I went to take the blue

She said 'Non' meaning no.

'Ze khaki ones are best, M'sieu:

Ze dirts zey do not show.'
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The Black Dudeen

Humping it here in the dug-out,

Sucking me black dudeen,

I'd like to say in a general way,

There's nothing like Nickyteen;

There's nothing like Nickyteen, me boys,

Be it pipes or snipes or cigars;

So be sure that a bloke

Has plenty to smoke,

If you wants him to fight your wars.



When I've eat my fill and my belt is snug,

I begin to think of my baccy plug.

I whittle a fill in my horny palm,

And the bowl of me old clay pipe I cram.

I trim the edges, I tamp it down,

I nurse a light with an anxious frown;

I begin to draw, and my cheeks tuck in,

And all my face is a blissful grin;

And up in a cloud the good smoke goes,

And the good pipe glimmers and fades and glows;

In its throat it chuckles a cheery song,

For I likes it hot and I likes it strong.

Oh, it's good is grub when you're feeling hollow,

But the best of a meal's the smoke to follow.



There was Micky and me on a night patrol,

Having to hide in a fizz-bang hole;

And sure I thought I was worse than dead

Wi' them crump-crumps hustlin' over me head.

Sure I thought 'twas the dirty spot,

Hammer and tongs till the air was hot.

And mind you, water up to your knees.

And cold! A monkey of brass would freeze.

And if we ventured our noses out

A "typewriter" clattered its pills about.

The Field of Glory! Well, I don't think!

I'd sooner be safe and snug in clink.



Then Micky, he goes and he cops one bad,

He always was having ill-luck, poor lad.

Says he: "Old chummy, I'm booked right through;

Death and me 'as a wrongday voo.

But . . . 'aven't you got a pinch of shag? --

I'd sell me perishin' soul for a fag."

And there he shivered and cussed his luck,

So I gave him me old black pipe to suck.

And he heaves a sigh, and he takes to it

Like a babby takes to his mammy's tit;

Like an infant takes to his mother's breast,

Poor little Micky! he went to rest.



But the dawn was near, though the night was black,

So I left him there and I started back.

And I laughed as the silly old bullets came,

For the bullet ain't made wot's got me name.

Yet some of 'em buzzed onhealthily near,

And one little blighter just chipped me ear.

But there! I got to the trench all right,

When sudden I jumped wi' a start o' fright,

And a word that doesn't look well in type:

I'd clean forgotten me old clay pipe.



So I had to do it all over again,

Crawling out on that filthy plain.

Through shells and bombs and bullets and all --

Only this time -- I do not crawl.

I run like a man wot's missing a train,

Or a tom-cat caught in a plump of rain.

I hear the spit of a quick-fire gun

Tickle my heels, but I run, I run.

Through crash and crackle, and flicker and flame,

(Oh, the packet ain't issued wot's got me name!)

I run like a man that's no ideer

Of hunting around for a sooveneer.

I run bang into a German chap,

And he stares like an owl, so I bash his map.

And just to show him that I'm his boss,

I gives him a kick on the parados.

And I marches him back with me all serene,

Wiv, tucked in me grup, me old dudeen.



Sitting here in the trenches

Me heart's a-splittin' with spleen,

For a parcel o' lead comes missing me head,

But it smashes me old dudeen.

God blast that red-headed sniper!

I'll give him somethin' to snipe;

Before the war's through

Just see how I do

That blighter that smashed me pipe.
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Winnie

When I went by the meadow gate

The chestnut mare would trot to meet me,

And as her coming I would wait,

She'd whinney high as if to greet me.

And I would kiss her silky nose,

And stroke her neck until it glistened,

And speak soft words: I don't suppose

She understand; but how she listened!



Then in the war-net I was caught,

Returning three black winters older;

And when the little mare I sought

The farmer told me he had sold her.

And so time passed; when in the street

One day I heard a plaintive whinney

That roused a recollection sweet,

So then I turned and there was Winnie.



I vow she knew me, mooning there.

She raised her nose for me to fondle,

And though I'd lost an arm I'll swear

She kissed the empty sleeve a-dangle.

But oh it cut me to the heart,

Though I was awful glad to meet her,

For lo! she dragged a tinker's cart

And stumbled weakly as he beat her.



Just skin and bone, a sorry hack!

Say, fellow, you may think it funny:



I made a deal and bought her back,



Though it took all my bonus money.

And she'll be in the meadow there,

As long as I have dough for spending . . .

Gee! I'll take care of that old mare -

"Sweetheart! you'll have a happy ending."
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Two Graves

First Ghost



To sepulcher my mouldy bones

I bough a pile of noble stones,

And half a year a sculptor spent

To hew my marble monument,

The stateliest to rear its head

In all this city of the dead.



And generations passing through

Will gape, and ask: What did he do

To earn this tomb so rich and rare,

In Attic grace beyond compare?

How was his life in honour spent,

To worthy this proud monument?



What did I do" Well, nothing much.

'Tis true I had the Midas touch.

A million pounds I made wherewith

To glorify the name: John Smith;

Yet not a soul wept for me when

Death raft me from my fellow men.

My sculptor wins undying fame,

While I, who paid, am just a name.



Second Ghost



A wooden cross surveys my bones,

With on it stenciled: Peter Jones.

And round it are five hundred more;

(A proper job did old man War!)

So young they were, so fresh, so fit,

So hopeful; that's the hell of it.



The old are sapped and ripe to die,

But in the flush of Spring was I.

I might have fathered children ten,

To come to grips with sterling men;

And now a cross in weeds to rot,

Is all to show how fierce I fought.



The old default, the young must pay;

My life was wasted, thrown away.

While people gladden, to forget

The bitterness of vein regret,

With not a soul to morn for me

My skull grins up in mockery.

. . . Pale crosses greet the grieving stars,

And always will be; War and Wars.
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Remorse

That scathing word I used in scorn

(Though half a century ago)

Comes back to me this April morn,

Like boomerang to work me woe;

Comes back to me with bitter blame

(Though apple boughs are blossoming),

And oh! the anguish of my shame

Is sharper than a serpent's sting!



Age sensitizes us to pain,

And when remembrance of some word

We spoke in wrath return again,

It stab is like a driven sword. . . .

And if in some celestial span

Our hearts in penitence may bleed

For all the hurt we've done to man -

Ah, that would be a hell indeed!



So friends, be careful of your words,

Though other breasts may meet their steel,

Lest they return like vengeful swords,

Till yours the wounds that never heal,

For Age the heart to mercy mellows;

Foul memories haunt like evil elves:

let us be gentle to our fellows,

And win God's mercy for ourselves.
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Duello

A Frenchman and an Englishman

Resolved to fight a duel,

And hit upon a savage plan,

Because their hate was cruel.

They each would fire a single shot

In room of darkness pitchy,

And who was killed and who was not

Would hang on fingers twitchy.



The room was bare and dark as death,

And each ferocious fighter

Could hear his fierce opponent's breath

And clutched his pistol tighter.

The Gaston fired; the bullet hissed

On its destructive mission . . .

"Thank God!" said John Bull. "He has missed."

The Frenchman cried: "Perdition!"



Then silence followed like a spell,

And as the Briton sought to

Reply he wondered where the hell

His Gallic foe had got to.



And then he thought: "I'll mercy show,

Since Hades is a dire place

To send a fellow to; and so

I'll blase up through the fireplace."



So up the chimney he let fly,

Of grace a gallant henchman;

When lo! a sudden cry,

And down there crashed the Frenchman . . .

But if this yard in France you tell,

Although its vein be skittish,

I think it might be just as well

To make your Frenchman; British.
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Poet And Peer

They asked the Bard of Ayr to dine;

The banquet hall was fit and fine,

With gracing it a Lord;

The poet came; his face was grim

To find the place reserved for him

Was at the butler's board.



So when the gentry called him in,

He entered with a knavish grin

And sipped a glass of wine;

But when they asked would he recite

Something of late he'd chanced to write

He ettled to decline.



Then with a sly, sardonic look

He opened up a little book

Containing many a gem;

And as they sat in raiment fine,

So smug and soused with rosy wine,

This verse he read to them.



'You see yon birkie caw'ed a Lord,

Who struts and stares an' a' that,

Though hundreds worship at his word

He's but a coof for a' that.

For a' that and a' that,

A man's a man for a' that.



He pointed at that portly Grace

Who glared with apoplectic face,

While others stared with gloom;

Then having paid them all he owed,

Burns, Bard of Homespun, smiled and strode

Superbly from the room.
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The Portrait

The portrait there above my bed

They tell me is a work of art;

My Wife,--since twenty years she's dead:

Her going nearly broke my heart.

Alas! No little ones we had

To light our hearth with joy and glee;

Yet as I linger lone and sad

I know she's waiting me.



The picture? Sargent painted it,

And it has starred in many a show.

Her eyes are on me where I sit,

And follow me where'er I go.

She'll smile like that when I am gone,

And I am frail and oh so ill!

Aye, when I'm waxen, cold and wan,

Lo! She'll be smiling still.



So I have bade them slash in strips

That relic of my paradise.

Let flame destroy those lovely lips

And char the starlight of her eyes!

No human gaze shall ever see

Her beauty,--stranger heart to stir:

Nay, her last smile shall be for me,

My last look be for her.
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The Host

I never could imagine God:

I don't suppose I ever will.

Beside His altar fire I nod

With senile drowsiness but still

In old of age as sight grows dim

I have a sense of Him.



For when I count my sum of days

I find so many sweet and good,

My mind is full of peace and praise,

My heart aglow with gratitude.

For my long living in the sun

I want to thank someone.



Someone who has been kind to me;

Some power within, if not on high,

Who shaped my gentle destiny,

And led me pleasant pastures by:

Who taught me, whether gay or grave,

To love the life He gave.



A Host of charity and cheer,

Within a Tavern warm and bright;

Who smiles and bids me have no fear

As forth I fare into the night:

From whom I beg no Heav'n, but bless

For earthly happiness.
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The Rover

Oh, how good it is to be

Foot-loose and heart-free!

Just my dog and pipe and I, underneath the vast sky;

Trail to try and goal to win, white road and cool inn;

Fields to lure a lad afar, clear spring and still star;

Lilting feet that never tire, green dingle, fagot fire;

None to hurry, none to hold, heather hill and hushed fold;

Nature like a picture book, laughing leaf and bright brook;

Every day a jewel bright, set serenely in the night;

Every night a holy shrine, radiant for a day divine.



Weathered cheek and kindly eye, let the wanderer go by.

Woman-love and wistful heart, let the gipsy one depart.

For the farness and the road are his glory and his goad.

Oh, the lilt of youth and Spring! Eyes laugh and lips sing.



Yea, but it is good to be

Foot-loose and heart-free!



II



Yet how good it is to come

Home at last, home, home!

On the clover swings the bee, overhead's the hale tree;

Sky of turquoise gleams through, yonder glints the lake's blue.

In a hammock let's swing, weary of wandering;

Tired of wild, uncertain lands, strange faces, faint hands.

Has the wondrous world gone cold? Am I growing old, old?

Grey and weary . . . let me dream, glide on the tranquil stream.

Oh, what joyous days I've had, full, fervid, gay, glad!

Yet there comes a subtile change, let the stripling rove, range.

From sweet roving comes sweet rest, after all, home's best.

And if there's a little bit of woman-love with it,

I will count my life content, God-blest and well spent. . . .



Oh but it is good to be

Foot-loose and heart-free!

Yet how good it is to come

Home at last, home, home!
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Tranquilism

I call myself a Tranquilist;

With deep detachment I exist,

From friction free;

While others court the gilded throng

And worship Women, Wine and Song,

I scorn the three.

For I have reached the sober age

When I prefer to turn a page

Beside the fire,

And from the busy mart of men

To meditative book and pen

With grace retire.



If you are craving peace of mind,

In Tranquilism you will find

Philosophy;

Serenely fold your hands and wait

Be cloistered calm whatever fate

The Gods decree.

And though the world with rage be rent,

Hold it remote and claim content

With quiet heart;

You can't do much to better it,

But your good-will may help a bit,

Ere you depart.



So let us who are old and sere

To din of battle shut the ear,

And trumpet vain;

And though in no monastic mood

Accept the balm of solitude

And grace regain.

Let us be Tranquilists and try

In placid places to apply

Life's wisdom won;

In Nature's bounty we may bless

The Gods and wait with thankfulness

Our setting sun.
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Our Hero

"Flowers, only flowers -- bring me dainty posies,

Blossoms for forgetfulness," that was all he said;

So we sacked our gardens, violets and roses,

Lilies white and bluebells laid we on his bed.

Soft his pale hands touched them, tenderly caressing;

Soft into his tired eyes came a little light;

Such a wistful love-look, gentle as a blessing;

There amid the flowers waited he the night.



"I would have you raise me; I can see the West then:

I would see the sun set once before I go."

So he lay a-gazing, seemed to be at rest then,

Quiet as a spirit in the golden glow.

So he lay a-watching rosy castles crumbling,

Moats of blinding amber, bastions of flame,

Rugged rifts of opal, crimson turrets tumbling;

So he lay a-dreaming till the shadows came.



"Open wide the window; there's a lark a-singing;

There's a glad lark singing in the evening sky.

How it's wild with rapture, radiantly winging:

Oh it's good to hear that when one has to die.

I am horror-haunted from the hell they found me;

I am battle-broken, all I want is rest.

Ah! It's good to die so, blossoms all around me,

And a kind lark singing in the golden West.



"Flowers, song and sunshine, just one thing is wanting,

Just the happy laughter of a little child."

So we brought our dearest, Doris all-enchanting;

Tenderly he kissed her; radiant he smiled.

"In the golden peace-time you will tell the story

How for you and yours, sweet, bitter deaths were ours. . . .

God bless little children!" So he passed to glory,

So we left him sleeping, still amid the flow'rs.
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The Ballad Of The Black Fox Skin

I



There was Claw-fingered Kitty and Windy Ike living the life of shame,

When unto them in the Long, Long Night came the man-who-had-no-name;

Bearing his prize of a black fox pelt, out of the Wild he came.



His cheeks were blanched as the flume-head foam when the brown spring freshets flow;

Deep in their dark, sin-calcined pits were his sombre eyes aglow;

They knew him far for the fitful man who spat forth blood on the snow.



"Did ever you see such a skin?" quoth he; "there's nought in the world so fine--

Such fullness of fur as black as the night, such lustre, such size, such shine;

It's life to a one-lunged man like me; it's London, it's women, it's wine.



"The Moose-hides called it the devil-fox, and swore that no man could kill;

That he who hunted it, soon or late, must surely suffer some ill;

But I laughed at them and their old squaw-tales. Ha! Ha! I'm laughing still.



"For look ye, the skin--it's as smooth as sin, and black as the core of the Pit.

By gun or by trap, whatever the hap, I swore I would capture it;

By star and by star afield and afar, I hunted and would not quit.



"For the devil-fox, it was swift and sly, and it seemed to fleer at me;

I would wake in fright by the camp-fire light, hearing its evil glee;

Into my dream its eyes would gleam, and its shadow would I see.



"It sniffed and ran from the ptarmigan I had poisoned to excess;

Unharmed it sped from my wrathful lead ('twas as if I shot by guess);

Yet it came by night in the stark moonlight to mock at my weariness.



"I tracked it up where the mountains hunch like the vertebrae of the world;

I tracked it down to the death-still pits where the avalanche is hurled;

From the glooms to the sacerdotal snows, where the carded clouds are curled.



"From the vastitudes where the world protrudes through clouds like seas up-shoaled,

I held its track till it led me back to the land I had left of old--

The land I had looted many moons. I was weary and sick and cold.



"I was sick, soul-sick, of the futile chase, and there and then I swore

The foul fiend fox might scathless go, for I would hunt no more;

Then I rubbed mine eyes in a vast surprise--it stood by my cabin door.



"A rifle raised in the wraith-like gloom, and a vengeful shot that sped;

A howl that would thrill a cream-faced corpse-- and the demon fox lay dead. . . .

Yet there was never a sign of wound, and never a drop he bled.



"So that was the end of the great black fox, and here is the prize I've won;

And now for a drink to cheer me up--I've mushed since the early sun;

We'll drink a toast to the sorry ghost of the fox whose race is run."



II



Now Claw-fingered Kitty and Windy Ike, bad as the worst were they;

In their road-house down by the river-trail they waited and watched for prey;

With wine and song they joyed night long, and they slept like swine by day.



For things were done in the Midnight Sun that no tongue will ever tell;

And men there be who walk earth-free, but whose names are writ in hell--

Are writ in flames with the guilty names of Fournier and Labelle.



Put not your trust in a poke of dust would ye sleep the sleep of sin;

For there be those who would rob your clothes ere yet the dawn comes in;

And a prize likewise in a woman's eyes is a peerless black fox skin.



Put your faith in the mountain cat if you lie within his lair;

Trust the fangs of the mother-wolf, and the claws of the lead-ripped bear;

But oh, of the wiles and the gold-tooth smiles of a dance-hall wench beware!



Wherefore it was beyond all laws that lusts of man restrain,

A man drank deep and sank to sleep never to wake again;

And the Yukon swallowed through a hole the cold corpse of the slain.



III



The black fox skin a shadow cast from the roof nigh to the floor;

And sleek it seemed and soft it gleamed, and the woman stroked it o'er;

And the man stood by with a brooding eye, and gnashed his teeth and swore.



When thieves and thugs fall out and fight there's fell arrears to pay;

And soon or late sin meets its fate, and so it fell one day

That Claw-fingered Kitty and Windy Ike fanged up like dogs at bay.



"The skin is mine, all mine," she cried; "I did the deed alone."

"It's share and share with a guilt-yoked pair", he hissed in a pregnant tone;

And so they snarled like malamutes over a mildewed bone.



And so they fought, by fear untaught, till haply it befell

One dawn of day she slipped away to Dawson town to sell

The fruit of sin, this black fox skin that had made their lives a hell.



She slipped away as still he lay, she clutched the wondrous fur;

Her pulses beat, her foot was fleet, her fear was as a spur;

She laughed with glee, she did not see him rise and follow her.



The bluffs uprear and grimly peer far over Dawson town;

They see its lights a blaze o' nights and harshly they look down;

They mock the plan and plot of man with grim, ironic frown.



The trail was steep; 'twas at the time when swiftly sinks the snow;

All honey-combed, the river ice was rotting down below;

The river chafed beneath its rind with many a mighty throe.



And up the swift and oozy drift a woman climbed in fear,

Clutching to her a black fox fur as if she held it dear;

And hard she pressed it to her breast--then Windy Ike drew near.



She made no moan--her heart was stone--she read his smiling face,

And like a dream flashed all her life's dark horror and disgrace;

A moment only--with a snarl he hurled her into space.



She rolled for nigh an hundred feet; she bounded like a ball;

From crag to crag she carromed down through snow and timber fall; . . .

A hole gaped in the river ice; the spray flashed--that was all.



A bird sang for the joy of spring, so piercing sweet and frail;

And blinding bright the land was dight in gay and glittering mail;

And with a wondrous black fox skin a man slid down the trail.



IV



A wedge-faced man there was who ran along the river bank,

Who stumbled through each drift and slough, and ever slipped and sank,

And ever cursed his Maker's name, and ever "hooch" he drank.



He travelled like a hunted thing, hard harried, sore distrest;

The old grandmother moon crept out from her cloud-quilted nest;

The aged mountains mocked at him in their primeval rest.



Grim shadows diapered the snow; the air was strangely mild;

The valley's girth was dumb with mirth, the laughter of the wild;

The still, sardonic laughter of an ogre o'er a child.



The river writhed beneath the ice; it groaned like one in pain,

And yawning chasms opened wide, and closed and yawned again;

And sheets of silver heaved on high until they split in twain.



From out the road-house by the trail they saw a man afar

Make for the narrow river-reach where the swift cross-currents are;

Where, frail and worn, the ice is torn and the angry waters jar.



But they did not see him crash and sink into the icy flow;

They did not see him clinging there, gripped by the undertow,

Clawing with bleeding finger-nails at the jagged ice and snow.



They found a note beside the hole where he had stumbled in:

"Here met his fate by evil luck a man who lived in sin,

And to the one who loves me least I leave this black fox skin."



And strange it is; for, though they searched the river all around,

No trace or sign of black fox skin was ever after found;

Though one man said he saw the tread of HOOFS deep in the ground.
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The Cow-Juice Cure

The clover was in blossom, an' the year was at the June,

When Flap-jack Billy hit the town, likewise O'Flynn's saloon.

The frost was on the fodder an' the wind was growin' keen,

When Billy got to seein' snakes in Sullivan's shebeen.



Then in meandered Deep-hole Dan, once comrade of the cup:

"Oh Billy, for the love of Mike, why don't ye sober up?

I've got the gorgus recipay, 'tis smooth an' slick as silk --

Jest quit yer strangle-holt on hooch, an' irrigate with milk.

Lackteeal flooid is the lubrication you require;

Yer nervus frame-up's like a bunch of snarled piano wire.

You want to get it coated up with addypose tishoo,

So's it will work elastic-like, an' milk's the dope for you."



Well, Billy was complyable, an' in a month it's strange,

That cow-juice seemed to oppyrate a most amazin' change.

"Call up the water-wagon, Dan, an' book my seat," sez he.

"'Tis mighty queer," sez Deep-hole Dan, "'twas just the same with

me."

They shanghaied little Tim O'Shane, they cached him safe away,

An' though he objurgated some, they "cured" him night an' day;

An' pretty soon there came the change amazin' to explain:

"I'll never take another drink," sez Timothy O'Shane.

They tried it out on Spike Muldoon, that toper of renown;

They put it over Grouch McGraw, the terror of the town.

They roped in "tanks" from far and near, an' every test was sure,

An' like a flame there ran the fame of Deep-hole's Cow-juice Cure.



"It's mighty queer," sez Deep-hole Dan, "I'm puzzled through and through;

It's only milk from Riley's ranch, no other milk will do."

An' it jest happened on that night with no predictive plan,

He left some milk from Riley's ranch a-settin' in a pan;

An' picture his amazement when he poured that milk next day --

There in the bottom of the pan a dozen "colours" lay.



"Well, what d'ye know 'bout that," sez Dan; "Gosh ding my dasted eyes,

We've been an' had the Gold Cure, Bill, an' none of us was wise.

The milk's free-millin' that's a cinch; there's colours everywhere.

Now, let us figger this thing out -- how does the dust git there?

`Gold from the grass-roots down', they say -- why, Bill! we've got it cold --

Them cows what nibbles up the grass, jest nibbles up the gold.

We're blasted, bloomin' millionaires; dissemble an' lie low:

We'll follow them gold-bearin' cows, an' prospect where they go."



An' so it came to pass, fer weeks them miners might be found

A-sneakin' round on Riley's ranch, an' snipin' at the ground;

Till even Riley stops an' stares, an' presently allows:

"Them boys appear to take a mighty interest in cows."

An' night an' day they shadowed each auriferous bovine,

An' panned the grass-roots on their trail, yet nivver gold they seen.



An' all that season, secret-like, they worked an' nothin' found;

An' there was colours in the milk, but none was in the ground.

An' mighty desperate was they, an' down upon their luck,

When sudden, inspirationlike, the source of it they struck.

An' where d'ye think they traced it to? it grieves my heart to tell --

In the black sand at the bottom of that wicked milkman's well.
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On The Wire

O God, take the sun from the sky!

It's burning me, scorching me up.

God, can't You hear my cry?

Water! A poor, little cup!

It's laughing, the cursed sun!

See how it swells and swells

Fierce as a hundred hells!

God, will it never have done?

It's searing the flesh on my bones;

It's beating with hammers red

My eyeballs into my head;

It's parching my very moans.

See! It's the size of the sky,

And the sky is a torrent of fire,

Foaming on me as I lie

Here on the wire . . . the wire. . . .



Of the thousands that wheeze and hum

Heedlessly over my head,

Why can't a bullet come,

Pierce to my brain instead,

Blacken forever my brain,

Finish forever my pain?

Here in the hellish glare

Why must I suffer so?

Is it God doesn't care?

Is it God doesn't know?

Oh, to be killed outright,

Clean in the clash of the fight!

That is a golden death,

That is a boon; but this . . .

Drawing an anguished breath

Under a hot abyss,

Under a stooping sky

Of seething, sulphurous fire,

Scorching me up as I lie

Here on the wire . . . the wire. . . .



Hasten, O God, Thy night!

Hide from my eyes the sight

Of the body I stare and see

Shattered so hideously.

I can't believe that it's mine.

My body was white and sweet,

Flawless and fair and fine,

Shapely from head to feet;

Oh no, I can never be

The thing of horror I see

Under the rifle fire,

Trussed on the wire . . . the wire. . . .



Of night and of death I dream;

Night that will bring me peace,

Coolness and starry gleam,

Stillness and death's release:

Ages and ages have passed, --

Lo! it is night at last.

Night! but the guns roar out.

Night! but the hosts attack.

Red and yellow and black

Geysers of doom upspout.

Silver and green and red

Star-shells hover and spread.

Yonder off to the right

Fiercely kindles the fight;

Roaring near and more near,

Thundering now in my ear;

Close to me, close . . . Oh, hark!

Someone moans in the dark.

I hear, but I cannot see,

I hear as the rest retire,

Someone is caught like me,

Caught on the wire . . . the wire. . . .



Again the shuddering dawn,

Weird and wicked and wan;

Again, and I've not yet gone.

The man whom I heard is dead.

Now I can understand:

A bullet hole in his head,

A pistol gripped in his hand.

Well, he knew what to do, --

Yes, and now I know too. . . .





Hark the resentful guns!

Oh , how thankful am I

To think my beloved ones

Will never know how I die!

I've suffered more than my share;

I'm shattered beyond repair;

I've fought like a man the fight,

And now I demand the right

(God! how his fingers cling!)

To do without shame this thing.

Good! there's a bullet still;

Now I'm ready to fire;

Blame me, God, if You will,

Here on the wire . . . the wire. . .
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Four-Foot Shelf

'Come, see,' said he, 'my four-foot shelf,

A forty volume row;

And every one I wrote myself,

But that, of course, you know.'

I stared, I searched a memory dim,

For though an author too,

Somehow I'd never heard of him,--

None of his books I knew.



Said I: 'I'd like to borrow one,

Fond memories to recall.'

Said he: 'I'll gladly give you some,

And autograph them all.'

And so a dozen books he brought,

And signed tome after tome:

Of course I thanked him quite a lot,

And took them home.



So now I have to read his work,

Though dry as dust it be;

No portion of it may I shirk,

Lest he should question me.

This tale is true,--although it looks

To me a bloody shame,

A guy could father forty books,

yet no one know his name.
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Portrait

Painter, would you make my picture?

Just forget the moral stricture.

Let me sit

With my belly to the table,

Swilling all the wine I'm able,

Pip a-lit;

Not a stiff and stuffy croaker

In a frock coat and a choker

Let me be;

But a rollicking old fellow

With a visage ripe and mellow

As you see.



Just a twinkle-eyed old codger,

And of death as artful dodger,

Such I am;

I defy the Doc's advising

And I don't for sermonising

Care a damn.

Though Bill Shakespeare had in his dome

Both; I'd rather wit than wisdom

For my choice;

In the glug glug of the bottle,

As I tip it down my throttle,

I rejoice.



Paint me neither sour not soulful,

For I would not have folks doleful

When I go;

So if to my shade you're quaffing

I would rather see you laughing,

As you know.

In Life's Great Experiment

I'll have heaps of merriment

E're I pass;

And though devil beckons me,

And I've many a speck on me,

Maybe some will recon me -

Worth a glass.
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Mike

My lead dog Mike was like a bear;

I reckon he was grizzly bred,

For when he reared up in the air

Ho over-topped me by a head.

He'd cuff me with his hefty paws,

Jest like a puppy actin' cute,

And I would swear: by Gosh! he was

The world's most mighty malemute.



But oh the grub that dog could eat!

Yet he was never belly-tight;

It almost broke me buying meat

To satisfy his appetite.

Then came a change I wondered at:

Returning when the dawn was dim,

He seemed mysteriously fat,

And scorned the bones I'd saved for him.



My shack was near the hospital,

Wherein there laboured Nurse Louise,

Who was to me a little pal

I planned in every way to please.

As books and sweets for her I bought,

My mug she seemed to kindo' like;

But Mike; he loved her quite a lot,

And she was very fond of Mike.



Strolling with her as moonlight gleamed,

I saw a strand of cotton trail

From Mike, the which unseemly seemed

To have its source behind his tail.

I trod on it with chagrin grim,

And with a kick his absence urged;

But as he ran, from out of him

Such yards and yards of lint emerged.



And then on me the truth did dawn

Beyond the shadow of a doubt:

That poor dam dog was gorged upon

The poultices threw out. . . .

So "love my dog love me," I thought,

And seized the moment to propose . . .

Mike's dead, but in our garden lot

He's manure for a big dog-rose.
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Kail Yard Bard

A very humble pen I ply

Beneath a cottage thatch;

And in the sunny hours I try

To till my cabbage patch;

And in the gloaming glad am I

To lift the latch.



I do not plot to pile up pelf,

With jowl and belly fat;

To simple song I give myself,

And seek no gain at that:

Content if milk is on the shelf

To feed the cat.



I joy that haleness I possess,

Though fame has passed me by;

And see such gold of happiness

A-shining in the sky,

I wonder who has won success,

Proud men or I?



I do not grieve that I am poor,

And by the world unknown;

Free as the wind, serene and sure,

In peace I live alone.

'Tis better to be bard obscure

Than King on Throne.
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Over The Parapet

All day long when the shells sail over

I stand at the sandbags and take my chance;

But at night, at night I'm a reckless rover,

And over the parapet gleams Romance.

Romance! Romance! How I've dreamed it, writing

Dreary old records of money and mart,

Me with my head chuckful of fighting

And the blood of vikings to thrill my heart.



But little I thought that my time was coming,

Sudden and splendid, supreme and soon;

And here I am with the bullets humming

As I crawl and I curse the light of the moon.

Out alone, for adventure thirsting,

Out in mysterious No Man's Land;

Prone with the dead when a star-shell, bursting,

Flares on the horrors on every hand.



There are ruby stars and they drip and wiggle;

And the grasses gleam in a light blood-red;

There are emerald stars, and their tails they wriggle,

And ghastly they glare on the face of the dead.

But the worst of all are the stars of whiteness,

That spill in a pool of pearly flame,

Pretty as gems in their silver brightness,

And etching a man for a bullet's aim.



Yet oh, it's great to be here with danger,

Here in the weird, death-pregnant dark,

In the devil's pasture a stealthy ranger,

When the moon is decently hiding. Hark!

What was that? Was it just the shiver

Of an eerie wind or a clammy hand?

The rustle of grass, or the passing quiver

Of one of the ghosts of No Man's Land?



It's only at night when the ghosts awaken,

And gibber and whisper horrible things;

For to every foot of this God-forsaken

Zone of jeopard some horror clings.

Ugh! What was that? It felt like a jelly,

That flattish mound in the noisome grass;

You three big rats running free of its belly,

Out of my way and let me pass!



But if there's horror, there's beauty, wonder;

The trench lights gleam and the rockets play.

That flood of magnificent orange yonder

Is a battery blazing miles away.

With a rush and a singing a great shell passes;

The rifles resentfully bicker and brawl,

And here I crouch in the dew-drenched grasses,

And look and listen and love it all.



God! What a life! But I must make haste now,

Before the shadow of night be spent.

It's little the time there is to waste now,

If I'd do the job for which I was sent.

My bombs are right and my clippers ready,

And I wriggle out to the chosen place,

When I hear a rustle . . . Steady! . . . Steady!

Who am I staring slap in the face?



There in the dark I can hear him breathing,

A foot away, and as still as death;

And my heart beats hard, and my brain is seething,

And I know he's a Hun by the smell of his breath.

Then: "Will you surrender?" I whisper hoarsely,

For it's death, swift death to utter a cry.

"English schwein-hund!" he murmurs coarsely.

"Then we'll fight it out in the dark," say I.



So we grip and we slip and we trip and wrestle

There in the gutter of No Man's Land;

And I feel my nails in his wind-pipe nestle,

And he tries to gouge, but I bite his hand.

And he tries to squeal, but I squeeze him tighter:

"Now," I say, "I can kill you fine;

But tell me first, you Teutonic blighter!

Have you any children?" He answers: "Nein."



Nine! Well, I cannot kill such a father,

So I tie his hands and I leave him there.

Do I finish my little job? Well, rather;

And I get home safe with some light to spare.

Heigh-ho! by day it's just prosy duty,

Doing the same old song and dance;

But oh! with the night -- joy, glory, beauty:

Over the parapet -- Life, Romance!
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